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theguardian.com

@theguardian Sun, 04 Jun 2023 05:01:04

The Observer view on Uganda’s anti-gay laws: grotesque, legalised bigotry | Observer editorial

Yoweri Museveni has introduced the death penalty for homosexual acts, but his legislation threatens more than the people it demonises

Uganda is one of the youngest and fastest growing countries in the world. Nearly half of its 45 million-strong population in 2020 were under 14. Roughly 75% were under 30. Total numbers are projected to grow to 141 million by 2065. Against this extraordinarily fecund demographic backdrop, fears expressed by its president, Yoweri Museveni, that homosexuality threatens the “procreation of the human race” appear absurdly and offensively misplaced.

Museveni, 78, cannot be counted among these new Ugandan generations. He has been in charge since 1986, having seized power in a violent coup. In 2005, he agreed to the creation of a multi-party democracy, but his authoritarian grip on the country has never relaxed. Corruption and intimidation of political opponents are rife. Vote-fixing and fraud have marred successive elections, according to the UK, EU and US.

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theguardian.com

@theguardian Sun, 04 Oct 2026 07:04:58

Wakaliga Uganda review – a blistering superhero movie with hardboiled cops and a nefarious 'girl with a voluminous bum'

Chisenhale Gallery, LondonA young man possessed by the spirit of a mythical Buganda warrior leads the film-making collective's explosive new diatribe against the theft of cultural artefacts – with the help of a 'video joker' Wakaliga Uganda makes action movies with a cast from the Kampala streets, props built out of scrap, desktop special effects and a bucketload of wit. The studio's breakout hit, Who Killed Captain Alex?, followed a martial arts master on a mission for revenge against the mafiosi who killed his brother, a Ugandan military officer sent to clean up the capital's slums. Featuring helicopter gunships, shootouts and kung fu showdowns, and reportedly made for a few hundred dollars, this blockbuster bears little relation to the films you might expect to find in an art gallery (setting aside the shoestring budgets). Which is to say, it is very good fun to watch.Founded by Harriet Nakasujja and Isaac Nabwana, the film studio also known as Wakaliwood came to the attention of the wider art world in 2017 when it was included in the German art festival Documenta. That influential show was part of a general turn towards the culture being made by independent collectives outside Europe and North America, especially those that pioneer unconventional ways to fund their activities (indicatively, the studio used the money to install fibre-optic cables in its neighbourhood). Its entry on to the international art circuit brought higher production value and – if the new commission now showing at the Chisenhale is any guide – a subtle shift in direction and purpose. Continue reading...

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